有些人，不远不近，只能做朋友，而非恋人；有些人，时近时蔬，只能做旁人，而非朋友；有些人无需刻意去装，也会记忆深刻；有些人无论怎么闪烁，也会过眼云烟；生命中，总有些人，在你身边，来了又走；总有些人，在你眼前，晃晃不见；总有人，在你心里，长久以往，你却不敢靠近一80s影院华丽的外出 在线观看。Samedi lives in a village in Wallonia. He works from time to time as a gardener and has a close relationship with his mother. Everyday life in the village, which has seen better times, Samedi's quiet and friendly nature and the still largely intact rural setting stand in stark contrast to the heroin addiction Samedi has suffered from for over 20 years, which only his family knows about. His relationship with his mother changes when he makes another attempt to get clean. Paloma Sermon-Daï’s documentary paints a restrained, highly precise picture of a relationship marked by affection and love but which is also difficult to define in relation to Samedi's problem. As the camera observes the long, concentrated conversations he has with both his mother and his therapist, a picture of addiction comes into view which is part of a family structure. This becomes embedded in something larger in turn via the individual images of the village. Petit Samedi creates an image of dependence in which individual, family and social coexistence are intertwined, without falling into the trap of saying what might be able to solve the problem.
